strong remixes! comes with full cover sleeve!

repress in black vinyl

all in all an intergalactic ride!

the latest in a prolific string of solo and collaborative releases by james rushford, turzets collects a pair of new works primarily created and recorded last year while the australian composer-performer was in residence at la becque, an art center on lake geneva in switzerland.

jazz

zwischen carretta' s toughness & ark' s verspieltheit, lässt sich' s gut produzieren. techlektrofreakhouse !

ltd 7 inch

techy funky house bomb

the 4th album from james arthur on double vinyl, housed in a gatefold sleeve.

a deeply intimate and personal offering from london raised and based producer loraine james.

here come the james hunter six! ser ving yet another delicious dish of what you wish with the premier single off their upcoming lp, whatever it takes (dap-051). and ill be a monkeys uncle ifjames hasn’t delivered two of his most compelling sides to date on this one. i dont wanna be without you is a graduate level course in the three rs of r&b: rhythm, rhyme, and romance. a sultr y rumba sets the mood, as hunter swaggers in donning his finest voice like a crisp tuxedo, complete with ruffled vibrato and rhyming cuff-links and proceeds to lay on an absolute hear t-stealin, deal-sealin, panty-peelin gem. on the flip, i got eyes loosens the collar and brings the metronome mark up a few clicks for a punchy tightened-up workout, edged-up with vibes and street corner backgrounds. bring your talcum powder and a change of clothes cause its another jaw-droppin showstopper by that finger poppin pond-hopper, james hunter

here come the james hunter six! serving yet another delicious dish of what you wish with the premier single off their upcoming lp, whatever it takes (dap-051). and i’ll be a monkey’s uncle if james hasn’t delivered two of his most compelling sides to date on this one. “i don’t wanna be without you” is a graduate level course in the three r’s of r&b: rhythm, rhyme, and romance. a sultry rumba sets the mood, as hunter swaggers in – donning his finest voice like a crisp tuxedo, complete with ruffled vibrato and rhyming cuff-links – and proceeds to lay on an absolute heart-stealin‘, deal-sealin’, panty-peelin‘ gem. on the flip, “i got eyes” loosens the collar and brings the metro- nome mark up a few clicks for a punchy tightened-up workout, edged-up with vibes and street corner backgrounds.

an enticing taste of the upcoming debut album ‘eventual reality’ by the james l’estraunge orchestra. brainchild of scottish producer ricky reid, pianist on both 6th borough project albums and one half of the soul renegades alongside craig smith, the james l’estraunge orchestra is “the band that never was”, lovingly pieced together from a series of late-night studio sessions with some incredibly talented jazz and classical players. best described as jazz arranged with dance music sensibilities, the james l’estraunge orchestra sound is warm and organic, atmospheric and at times somewhat bleak, a perfect reflection of the remote log cabin in which it was created. immediately iconic both musically and lyrically, ‘closer’ is a powerful commentary on today’s self-regarding, materialistic world with a strong message of hope for a better tomorrow. combining lush, live instrumentation and climactic, cinematic composition, closer’s emotive, almost springsteen-like vocals are performed by ricky reid himself. ‘groovin’ you’ covers a classic from harvey mason: a bass led, heavyweight instrumental jazz-dance workout featuring some impressive brass and woodwind solos bolstered by spine- tingling string swells and tight, rolling drums.

classic soul !!

big with ellen allien, karotte, steve bug, tiefschwarz, andre crom, homework,aka aka, martin landsky, daniel bortz, round table knights, lovebirds und viele mehr
semester musik 003 ist eine release, die uns wirklich stolz macht. wir haben die legende the egyptian lover, der einst das vinyl von detroit nach los angeles brachte, mit chris james, dem nachwuchstalent aus birmingham, an ein gemeinsames mischpult gelassen. die unbeschwertheit des west-coast-undergrounds von 1984 trifft die britische coolness von 2011.